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MARK KERRISON | Photojournalist

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  • London, UK. 13 September, 2019. Designer Martino Gamper (l) poses with Ben Evans (r), Director of the London Design Festival, in front of his Disco Carbonara installation in Coal Drops Yard, a Festival Commission for the London Design Festival. A ‘false facade of a disco with a fresh take on traditional cladding from the Italian Alps’, it is designed as a gateway and inspired by the concept of a Potemkin village as built to impress Empress Catherine II by her lover Grigory Potemkin during her journey to Crimea in 1787.
    London-Design-Festival-launch-033.jpg
  • London, UK. 13 September, 2019. Designer Martino Gamper (l) poses with Ben Evans (r), Director of the London Design Festival, in front of his Disco Carbonara installation in Coal Drops Yard, a Festival Commission for the London Design Festival. A ‘false facade of a disco with a fresh take on traditional cladding from the Italian Alps’, it is designed as a gateway and inspired by the concept of a Potemkin village as built to impress Empress Catherine II by her lover Grigory Potemkin during her journey to Crimea in 1787.
    London-Design-Festival-launch-004.jpg
  • London, UK. 13 September, 2019. Designer Martino Gamper (l) poses with Ben Evans (r), Director of the London Design Festival, in front of his Disco Carbonara installation in Coal Drops Yard, a Festival Commission for the London Design Festival. A ‘false facade of a disco with a fresh take on traditional cladding from the Italian Alps’, it is designed as a gateway and inspired by the concept of a Potemkin village as built to impress Empress Catherine II by her lover Grigory Potemkin during her journey to Crimea in 1787.
    London-Design-Festival-launch-045.jpg
  • London, UK. 13 September, 2019. Ben Evans, Director of the London Design Festival, poses with guests in front of Martino Gamper’s Disco Carbonara installation in Coal Drops Yard as a Festival Commission for the London Design Festival. A ‘false facade of a disco with a fresh take on traditional cladding from the Italian Alps’, it is designed as a gateway and inspired by the concept of a Potemkin village as built to impress Empress Catherine II by her lover Grigory Potemkin during her journey to Crimea in 1787.
    London-Design-Festival-launch-014.jpg
  • London, UK. 13 September, 2019. Guests enjoy the interior of Martino Gamper’s Disco Carbonara installation in Coal Drops Yard as a Festival Commission for the London Design Festival. A ‘false facade of a disco with a fresh take on traditional cladding from the Italian Alps’, it is designed as a gateway and inspired by the concept of a Potemkin village as built to impress Empress Catherine II by her lover Grigory Potemkin during her journey to Crimea in 1787.
    London-Design-Festival-launch-025.jpg
  • London, UK. 13 September, 2019. A doorman controls access to Martino Gamper’s Disco Carbonara installation in Coal Drops Yard as a Festival Commission for the London Design Festival. A ‘false facade of a disco with a fresh take on traditional cladding from the Italian Alps’, it is designed as a gateway and inspired by the concept of a Potemkin village as built to impress Empress Catherine II by her lover Grigory Potemkin during her journey to Crimea in 1787.
    London-Design-Festival-launch-020.jpg
  • London, UK. 13 September, 2019. Martino Gamper (r) discusses his Disco Carbonara installation in Coal Drops Yard as a Festival Commission for the London Design Festival. A ‘false facade of a disco with a fresh take on traditional cladding from the Italian Alps’, it is designed as a gateway and inspired by the concept of a Potemkin village as built to impress Empress Catherine II by her lover Grigory Potemkin during her journey to Crimea in 1787.
    London-Design-Festival-launch-036.jpg
  • London, UK. 13 September, 2019. Martino Gamper’s Disco Carbonara has been installed in Coal Drops Yard as a Festival Commission for the London Design Festival. A ‘false facade of a disco with a fresh take on traditional cladding from the Italian Alps’, it is designed as a gateway and inspired by the concept of a Potemkin village as built to impress Empress Catherine II by her lover Grigory Potemkin during her journey to Crimea in 1787.
    London-Design-Festival-launch-039.jpg
  • London, UK. 13 September, 2019. Ben Evans, Director of the London Design Festival, introduces Liz West, designer of Iri-Descent which has been installed in the atrium of the historic Fortnum & Mason store in Piccadilly as a Festival Commission for the London Design Festival. The installation comprises a suspended arrangement of 150 skeleton-framework cubes clad with dichromatic film in two differing colourways. The cubes appear to change colour as visitors move around the atrium and between the floors above and below.
    London-Design-Festival-launch-022.jpg
  • London, UK. 13 September, 2019. Liz West discusses Iri-Descent, which has been installed in the atrium of the historic Fortnum & Mason store in Piccadilly as a Festival Commission for the London Design Festival. The installation comprises a suspended arrangement of 150 skeleton-framework cubes clad with dichromatic film in two differing colourways. The cubes appear to change colour as visitors move around the atrium and between the floors above and below.
    London-Design-Festival-launch-008.jpg
  • London, UK. 13 September, 2019. Liz West discusses Iri-Descent, which has been installed in the atrium of the historic Fortnum & Mason store in Piccadilly as a Festival Commission for the London Design Festival. The installation comprises a suspended arrangement of 150 skeleton-framework cubes clad with dichromatic film in two differing colourways. The cubes appear to change colour as visitors move around the atrium and between the floors above and below.
    London-Design-Festival-launch-040.jpg
  • London, UK. 13 September, 2019. Liz West’s Iri-Descent has been installed in the atrium of the historic Fortnum & Mason store in Piccadilly as a Festival Commission for the London Design Festival. The installation comprises a suspended arrangement of 150 skeleton-framework cubes clad with dichromatic film in two differing colourways. The cubes appear to change colour as visitors move around the atrium and between the floors above and below.
    London-Design-Festival-launch-042.jpg
  • London, UK. 13 September, 2019. Liz West’s Iri-Descent has been installed in the atrium of the historic Fortnum & Mason store in Piccadilly as a Festival Commission for the London Design Festival. The installation comprises a suspended arrangement of 150 skeleton-framework cubes clad with dichromatic film in two differing colourways. The cubes appear to change colour as visitors move around the atrium and between the floors above and below.
    London-Design-Festival-launch-007.jpg
  • London, UK. 13 September, 2019. Liz West’s Iri-Descent has been installed in the atrium of the historic Fortnum & Mason store in Piccadilly as a Festival Commission for the London Design Festival. The installation comprises a suspended arrangement of 150 skeleton-framework cubes clad with dichromatic film in two differing colourways. The cubes appear to change colour as visitors move around the atrium and between the floors above and below.
    London-Design-Festival-launch-034.jpg
  • London, UK. 13 September, 2019. Liz West’s Iri-Descent has been installed in the atrium of the historic Fortnum & Mason store in Piccadilly as a Festival Commission for the London Design Festival. The installation comprises a suspended arrangement of 150 skeleton-framework cubes clad with dichromatic film in two differing colourways. The cubes appear to change colour as visitors move around the atrium and between the floors above and below.
    London-Design-Festival-launch-029.jpg
  • London, UK. 13 September, 2019. Liz West’s Iri-Descent has been installed in the atrium of the historic Fortnum & Mason store in Piccadilly as a Festival Commission for the London Design Festival. The installation comprises a suspended arrangement of 150 skeleton-framework cubes clad with dichromatic film in two differing colourways. The cubes appear to change colour as visitors move around the atrium and between the floors above and below.
    London-Design-Festival-launch-003.jpg